Nina Kiriki Hoffman is the author of several novels, including the Bram Stoker Award-winning The Thread That Binds the Bones, A Fistful of Sky, A Stir of Bones, Spirits That Walk in Shadow, and Catalyst, which was a finalist for the Philip K. Dick Award. Her short fiction has appeared in such magazines as Weird Tales, Realms of Fantasy, and F&SF, and in numerous anthologies, such as Firebirds, The Coyote Road, and Redshift. Her work has been nominated for the World Fantasy Award and the Nebula Award four times each.
In the nineties, Hoffman went through a summer where she read one serial killer biography after another. "I was in the grip of some monstrous curiosity about how far humans will go," she says. "My favorite book that summer was about a case that wasn’t even solved at the time, The Search for the Green River Killer, by Carlton Smith and Thomas Guillen. Part of my thinking in ‘The Third Dead Body’ was to give the victim a voice. There were so many victims. In this case, where the serial killer was the celebrity — as so often happens — I wanted to focus elsewhere."
This excerpt appears here courtesy of the author.
THE THIRD DEAD BODY
by Nina Kiriki Hoffman
I didn’t even know Richie. I surely didn’t want to love him. After he killed me, though, I found him irresistible.
I opened my eyes and dirt fell into them. Having things fall into my eyes was one of my secret terrors, but now I blinked and shook my head and most of the dirt fell away and I felt all right. So I knew something major had happened to me.
With my eyes closed, I shoved dirt away from my face. While I was doing this I realized that the inside of my mouth felt different. I probed with my tongue, my trained and talented tongue, and soon discovered that where smooth teeth had been before there were only broken stumps. What puzzled me about this and about the dirt in my eyes was that these things didn’t hurt. They bothered me, but not on a pain level.
I frowned and tried to figure out what I was feeling. Not a lot. Not scared or mad, not hot or cold. This was different too. I usually felt scared, standing on street corners waiting for strangers to pick me up, and cold, working evenings in skimpy clothes that showed off my best features. Right now, I felt nothing.
I sat up, dirt falling away from me, and bumped into branches that gridded my view of the sky. Some of them slid off me. The branches were loose and wilting, not attached to a bush or tree. I used my hands to push them out of the way and noticed that the backs of my fingers were blackened beyond my natural cocoa color. I looked at them, trying to remember what had happened before I fell asleep or whatever—had I dipped my fingers in ink? But no; the skin was scorched. My fingerprints were gone. They would have told police that my name was Tawanda Foote, which was my street name.
My teeth would have led police to call me Mary Jefferson, a name I hadn’t used since two years before, when I moved out of my parents’ house at fifteen.
In my own mind, I was Sheila, a power name I had given myself no one could have discovered that from any evidence about me.
No teeth, no fingerprints; Richie really didn’t want anybody to know who I was, not that anybody ever had.
With my scorched fingers I tried to take my pulse, though it was hard to find a vein among the rope burns at my wrists. With my eyes I watched my own naked chest. There were charred spots on my breasts where Richie had touched me with a burning cigarette. No pulse, but maybe that was because the nerves in my fingertips were dead. No breathing. No easy answer to that, so I chose the hard answer:
I was dead.
After I pushed aside the branches so I could see trees and sky, I sat in my own grave dirt and thought about this.
My grannie would call this dirt goofer dust; any soil that’s been piled on a corpse, whether the body’s in a box or just loose like me, turns into goofer dust. Dirt next to dead folk gets a power in it, she used to say.
She used to tell me all kinds of things. She told me about the walking dead; but mostly she said they were just big scary dummies who obeyed orders. When I stayed up too late at night reading library books under my covers with a flashlight, she would say, "Maybe you know somebody who could give those nightwalkers orders. Maybe she can order ‘em to come in here and turn off your light."
She had started to train me in recognizing herbs and collecting conjo ingredients, but that was before I told the preacher what really happened when I sat in Grand-pere’s lap, and Grand-pere got in trouble with the church and then with other people in the Parish. I had a lot of cousins, and some of the others started talking up about Grand-pere, but I was the first. After the police took Grand-pere away, Grannie laid a curse on me: "May you love the thing that hurts you, even after it kills you." She underlined it with virgin blood, the wax of black candles, and the three of spades.
I thought maybe if I left Louisiana I could get the curse off, but nobody I knew could uncross me and the curse followed me to Seattle.
In the midst of what was now goofer dust, I was sitting next to something. I reached out and touched it. It was another dead body. "Wake up," I said to the woman in the shallow grave beside me. But she refused to move.
So: no fingerprints, no teeth. I was dead, next to someone even deader, and off in some woods. I checked in with my body, an act I saved for special times when I could come out of the numb state I spent most of my life in, and found I wasn’t hungry or thirsty. All the parts of me that had been hurting just before Richie, my last trick, took a final twist around my neck with the nylon cord he was so fond of, all those parts were quiet, not bothering me at all; but there was a burning desire in my crotch, and a pinprick of fire behind my eyes that whispered to me, "Get up and move. We know where to go."
I looked around. At my back the slope led upward toward a place where sun broke through trees. At my feet it led down into darker woods. To either side, more woods and bushes, plants Grannie had never named for me, foreign as another language.
I moved my legs, bringing them up out of the goofer dust. All of me was naked; dirt caught in my curly hair below. I pulled myself to my feet and something fell out of my money pit, as my pimp Blake, liked to call my pussy. I looked down at what had fallen from me. It was a rock flaked and shaped into a blade about the size of a flat hand, and it glistened in the dulled sunlight, wet and dark with what had come from inside me, and maybe with some of his juices too.
The fire in my belly flared up, but it wasn’t a feeling like pain; it felt like desire.
I put my hands to my neck and felt the deep grooves the rope had left there. Heat blossomed in my head and in my heart. I wanted to find the hands that had tightened the rope around my neck, wrists, and ankles. I wanted to find the eyes that had watched my skin sizzle under the kiss of the burning cigarette. I wanted to find the mind that had decided to plunge a crude blade into me like that. The compulsion set in along my bones, jetted into my muscles like adrenaline. I straightened, looked around. I had to find Richie. I knew which direction to look: something in my head was teasing me, nudging me—a fire behind my eyes, urging me back to the city.
I fought the urge and lifted more branches off the place where I had lain. If I was going to get to Seattle from here, wherever here was, I needed some clothes. I couldn’t imagine anybody stopping to pick me up with me looking the way I did. I knew Richie had worked hard to get rid of all clues to who I was, but I thought maybe my companion in the grave might not be so naked of identity, so I brushed dirt off her, and found she was not alone. There were two bodies in the dirt, with no sign of afterlife in them except maggots, and no trace of clothes. One was darker than me, with fewer marks on her but the same rope burns around her neck. The other one was very light, maybe white. She was really falling apart. They looked like they must smell pretty bad, but I couldn’t smell them. I couldn’t smell anything. I could see and hear, and my muscles did what I told them, but I didn’t feel much except the gathering fire inside me that cried for Richie.
I brushed dirt back over the other women and moved the branches to cover their resting place again.
Downslope the trees waited, making their own low-level night. Upslope, open sun: a road, probably. I scrambled up toward the light.
The heat in my head and heart and belly burned hotter, and I churned up the hillside and stepped into the sun.
A two-lane highway lay before me, its yellow dotted center stripe bright in the sun. Its edges tailed into the gravel I stood on. Crushed snack bags and Coke and beer cans lay scattered in the bushes beside the road; cellophane glinted. I crossed the road and looked at the wooded hill on its far side, then down in the ditch. No clothes. Not even a plastic bag big enough to make into a bikini bottom.
The heat inside me was like some big fat drunk who will not shut up, yelling for a beer. I started walking, knowing which direction would take me toward town without knowing how I knew.
After a while a car came from behind me. Behind was probably my best side; my microbraids hung down to hide the marks on my neck, and Richie hadn’t done any cigarette graffiti on my back that I could remember. A lot of tricks had told me I had a nice ass and good legs; even my pimp had said it, and he never said anything nice unless he thought it was true or it would get him what he wanted. And he had everything he wanted from me.
I could hear the car slowing, but I was afraid to look back. I knew my mouth must look funny because of the missing teeth, and I wasn’t sure what the rest of my face looked like. Since I couldn’t feel pain, anything could have happened. I bent my head so the sun wasn’t shining in my face.
"Miss? Oh, miss?" Either a woman’s deep voice came from the car behind me, or a man’s high one; it sounded like an older person. The engine idled low as the car pulled up beside me. It was a red Volkswagen Rabbit.
I crossed my arms over my chest, hiding the burn marks and tucking my rope-mark bracelets into the crooks of my elbows.
[End of Excerpt]