Living Challenged Its Author
Jan. 10 — SCI FI Wire published a piece I wrote about Justina Robson’s novel Living Next Door to the God of Love, which was just named as a finalist for the Philip K. Dick Award.
Jan. 10 — SCI FI Wire published a piece I wrote about Justina Robson’s novel Living Next Door to the God of Love, which was just named as a finalist for the Philip K. Dick Award.
December’s acquisitions include:
Jan. 9 2007 — SCI FI Wire published a piece I wrote about Elizabeth Bear’s novel Carnival, which was just named as a finalst for this year’s Philip K. Dick Award.
If you fancy yourself an audiobook narrator, then check this out: SFF Audio has issued a challenge to all its readers to create audiobooks of any one of a number of public domain works of SF/F.
Looks like all you win is a free audiobook, but still, looks like a fun contest.
I’m flying down to Brunswick, GA on Friday to hang out with my old college roommate for the weekend. Anyone know of anything in that area that a geek like myself should check out? Brunswick is on the coast, near the Florida border (it’s about an hour away from Jacksonville, which is the airport I’m flying into).
Incidentally, he has the very geek-friendly last name of Swords.
SCI FI Wire just published a piece I wrote about author S.P. Somtow’s opera Ayodhya, which caused some controversy in his native Thailand.
Earlier this week, Science Fiction Weekly published my interview with Jack McDevitt.
Here’s a taste:
Your writing has been lauded for the great sense of wonder it evokes. Many of your stories and novels also have a strong mystery element driving the plot. Is mystery an important component in conveying sense of wonder?
McDevitt: “Important” sounds like “necessary.” I don’t think it’s necessary, in the sense that wondrous elements, a supernova, whatever, form the backdrop for the events being played out by the characters. I’ve read novels that evoked my sense of wonder without bringing in factors that would normally qualify as mysterious. Greg Benford’s The Sunborn is a good example, or Ben Bova’s Mercury.
But I love a good mystery. And if I can use a black hole as the takeoff point for strange goings-on, sure, I’m on my way. Deepsix employs an approaching planetary collision to get things moving, but there’s nothing mysterious about the narrative. Polaris, however, uses a collision between a star and a brown dwarf to set up a situation in which the pilot and passengers disappear from a starship, much in the manner of the Mary Celeste.
On a different level, mystery is at the heart of all these things, because we cannot watch a butterfly without being struck by the complexity of the creature. Or the quantum reality at the heart of the cosmos, which introduces an element of unpredictability. Free will. Anything can happen. Some nice engineering there. I wonder how much more wondrous a sunrise was to the early Egyptians, who could not explain how the sun got returned every morning to the east. Some of them must have suspected there was an infinity of suns, one coming up each day.
Go read the whole thing and let me know what you think!
As you all probably recall, last week I was soliciting opinions about Ikea products, in regards to my desire to purchase a wardrobe. Well, a couple days after I asked this question and got all those responses (thanks!), I saw an old ep of Futurama in which the professor orders some kind of supercollider from them, which is delivered by an Ikea robot, which looks like a TV stand. It delivers the supercollider, but on its way out the door, one of its wheels breaks off, and the shelf inside of its cabinet collapses. And when they put the collider together, Bender exclaims “Ah, there. Finished. And with only six missing pieces!” to which Fry replies: “Those Swedes sure know how to put in almost everything you need.”
Hopefully you guys will be right and Futurama will be wrong when it comes to my wardrobes…
[Note: This post was split off from a post about ripping audiobooks.] Another bone I have to pick with Apple is that we still can’t program our iPod’s buttons to do what we want. See, to me, the rewind function of the back/rewind button is almost completely useless. With the way iPods are currently configured, it makes much more sense to rewind an audiobook using the click wheel to rewind, because trying to do so with the back/rewind button inevitably ends up with you skipping to the track previous more often than not, because to rewind you have to hold down the back button. The click wheel method is easy enough, but not ideal. So what I would like to do is reprogram the back/rewind button. Here’s what I’d do:
And while I’m at it, here’s a few other things I’m unhappy about, but don’t necessarily have anything to do with audiobooks:
Does anyone have any experience using Anapod Explorer with their iPod instead of iTunes?