Author Archive

The Look of a Book

Speaking of my review of Infoquake, I wanted to take a brief moment give some kudos to the Pyr design and typesetting team. A friend who works in the production department of a major publisher told me that if the typesetting is noticeable, then the typesetter has failed. But I think that typesetting–or at least really good typesetting–can really make a reader take notice, at least enough to appreciate it, then forget about it and delve into the story. Many publishers these days are so eager to keep books short (admittedly, due to market forces beyond their control) that they’ll eliminate so much white space from the page that it renders the text all but unreadable. Infoquake‘s (and all Pyr titles’) typesetting on the other hand, is widely-spaced and a pleasure to read. As someone who is both a lover of books as entertainment, and as a lover of books as physical objects, it just has to be said that Pyr puts together some of the finest-looking books on the planet–both on the inside with their lovely typesetting and on the outside with their beautiful covers. Coincidentally, they’ve also been publishing some of the best books period, so it’s a mighty fine combination.

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STRONG MEDICINE: August 2006

The latest installment of my book review column, STRONG MEDICINE: Books That Cures What Ails You, has just been published at Intergalactic Medicine Show.

In this column, I review three first novels: Scott Lynch’s The Lies of Locke Lamora; Nick DiChario’s A Small and Remarkable Life; and David Louis Edelman’s Infoquake.

[Excerpt:] Imagine you could do to your body what you can do to a browser like Firefox–you can install plug-ins to make it do a variety of tasks that you (but not everyone) would find useful, and if there’s something about the standard operating procedures that irritates you, you can just go in and tweak the code to make the offending annoyance stop. Tired? Don’t down caffeine; just run a program to wake you up. Need to tell something private to your friend while in a room full of people? Don’t leave the room; just use the ConfidentialWhisper program, which is essentially technological telepathy.

Go read the review and then come back and tell me how awesome it is.

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Metropolitan Museum of Art




Egyptian artifact

Originally uploaded by slushgod.


On Friday, I met up with friends David Barr Kirtley and Amy Tibbetts in Manhattan for a little museum action.  We met up outside Penn Station, then trekked over to the Metropolitan Museum of Art via subway.  In the subway, we had a little adventure, as Dave and I tried to figure out our subway maps; a moment of indecision kept us from boarding the train we should have taken immediately (the C train), so we needlessly changed trains a few times, but in the end, we arrived where we’d originally intended.  The stop left us off near the entrance of Central Park, and the museum is on the other side of the park, so we took a leisurely stroll through the park to get there. 

The museum was pretty awesome.  I didn’t realize all of what was at the Met, or else I might have gone there earlier.  For some reason, I thought it was just paintings.  In fact, there’s so much other than paintings, we didn’t even get around to really seeing any.  Well, except for when Dave speed-walked us through a wing of paintings on our way to another exhibit, so we didn’t really get a chance to stop and look at them.  Though Dave seemed intent on doing a lot of speed-walking; for a smart guy, he displayed surprisingly little tolerance for a museum pace which would actually, you know, allow you to appreciate the artifacts and perhaps learn something.  I suppose we’re just lucky that no one has listened to his idea of making a museum in which you can rollerblade or jog through it.  Well, that might be kind of cool, actually; it’s got to be more interesting than rollerblading or jogging around the block.

One instance of our speed-walking was right at the very start as we went through the Egyptian exhibit, though we at least had a good reason: we were looking for the bathrooms.  However, our pace did not deter me from snapping some pictures along the way (click on the above picture to see the complete photoset).  You’re not allowed to use a flash in the museum, because the light can damage the artifacts apparently, but I got some great pictures anyway.  Sadly, I didn’t check my camera’s batteries, and I quickly ran out of power, and the stupid gift shop doesn’t sell batteries (no doubt because they want you to buy their crappy disposable cameras).  Later, I was thinking that I should have asked other museum-goers with cameras if they had any batteries to spare, but I didn’t, so these few pics are all the evidence I have of my trip.

What I really would have liked to photograph was some of the cool armor and weapons we got to see.  (And if I was thinking, I would have tried to photograph the informational plaques beside each of the objects I took pictures of.)  Oh, well; next time.  Truth be told, there’s so much to see at the Met that you can’t see it all in one day anyway, so it’s just another excuse to go back. 

After the museum, we headed out to dinner with Andrea Kail (who just made her first fiction sale, to Fantasy Magazine), Dave’s Odyssey classmate Rob Bland, and Carol Pinchefsky and her husband, Peter.

Things learned on Friday: (1a) tattoos located on the lower back are known as “tramp stamps”; (1b) when a woman’s g-string is visible above the top of her pants, that is called a “whale tail”; (2) the way to impress Hollywood moguls is to drop by their studios with your optionable stories in hand, making a grand entrance on top of a papier mache dragon; (3) museum gift shops are evil.

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Worldcon Membership for Sale

First: yes, I’m still going.

Why am I selling my membership then? Because I just scored a press pass via SCIFI.com.

I bought my membership a while ago, for, I think $150. So I’d be happy to sell it for that amount, just to get my money back. Seems like a good deal since memberships are now $200. If you’re interested, please email me privately at johnjosephadams@gmailNOSPAM.com rather than responding in the comments (be sure to delete the NOSPAM part).

My preferred method of payment would be paypal. Hugo voting rights have already been used up (obviously, since the deadline has passed), but whatever else it entitles you to is probably still active (site selection, and I don’t know what else).

UPDATE: Membership sold!

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Sybil’s Garage: Open for Business

Sybil’s Garage, a zine put out occasionally by publisher/editor Matthew Kressel is once again open for submissions:

Sybil’s Garage will be opening for submissions for our 4th issue on September 4th, 2006.   What we’re looking for hasn’t changed all that much.  We accept all works of speculative fiction (science fiction, fantasy, horror, slipstream, etc.), but we have a tendency to prefer the strange. Interpret that as you will, or seek out our previous issues to see what we mean. But we’re a friendly bunch; if you’re not sure, please send it our way anyway.

Stories should be no greater than 5000 words. We will also look at non-fiction, book & film reviews, and poetry.

Also, our submission process has changed.  We now have an online submission form.  A link to that form will be made available on September 4th.

Full guidelines available here.

We look forward to reading your submissions!

It’s a small zine, but it’s published some quality stuff, and has a nice, quirky sensibility about it.  Submit something, why don’tcha?

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Books! Stories!

So, I received the first submission to the Shimmer special pirate issue today. And only 115 days early! Haven’t read it yet, and I don’t know who it’s from since the Shimmery folk at Shimmer have a Submissions Wrangler who strips all manuscripts of identifying material. I’m looking forward to checking it out, but don’t let that encourage you all to submit now (instead of, you know, during the submission period).

Also arriving today, and bringing considerable glee, were two review books I’ve eagerly been anticipating: Wings to the Kingdom by Cherie Priest, and The Android’s Dream by John Scalzi. Gah, too much good stuff to read! (I know, I know–what a terrible problem to have.)

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